57 minutes

Not a full 60. 57. I tried so hard to get my full practice time in today, but alas, it was not to be. R woke up needing to go potty, and once she's woken up, I don't want to plunk the keys and keep her awake, even if I'm sure she's back to sleep! She's been very testy lately with sleep, so I take what I can get. She either has asthma or a cold with no symptoms other than coughing, and she's been coughing now for 2 weeks, so it's tough for her to sleep.

For today, I did 20 minutes of warm ups in the morning-- Hanon 11-20, arpeggios in C, G, D and scales in B and F#. Then on to the fugue. I'm continuing to work out fingering issues on the second page and hopefully I'll get that done in a few more days so I can move on to page 3. I hope to polish this piece within the month.

I also played through my Schubert Impromptu, which was lots of fun. I planned on working out some fingering today as well, but I was babysitting a little boy from church so I couldn't devote quite as much time to practice as I would have liked. All totaled, I practiced 3o minutes this morning. Which sounds like not very much considering 20 of it was with warm ups. How did I manage that one I wonder?

Tonight I worked on the Nocturne finally! It's been about a week now since I've played it, and I'm glad for the break. I was getting weary of working out fingering and getting frustrated at not being able to play through the whole piece yet, and especially not being able to play some of the faster parts up to speed yet that I can play perfectly. I have a lot of work ahead of me, but I'm proud of the progress I've made so far. 27 minutes into tonight's practicing R woke up with a full bladder and a cranky disposition. Bummer.

But thinking back on it... perhaps I did actually get in more than 60 minutes today. There is no way that I played the impromptu in under 5 minutes-- it's 11 pages long! And I worked on a couple sections of it as well for a few minutes! I must have practiced the impromptu and fugue each for 10 minutes. There's no way possible that I practiced for shorter than that with either of those pieces today.

So I'm giving myself 67 minutes. Weird.

Getting Smarter

So tonight I skipped the warm ups and went straight to the practicing. I got about 40 minutes of Fugue in when R started wandering the halls. I have her now and I think my practicing is done for the day. Tomorrow I am babysitting a little boy, but other than that my day shouldn't be as hectic. I expect to practice a bit more tomorrow during the day so I can get in the rest of my practicing in the evening, not all of it!

What's going on with the short days?

I really tried to get in a full hour of practice today. The problem is, I haven't been at home as much lately so I haven't been practicing during the day. Tonight I began practicing at 10 pm after a busy day of cooking and baking and running around. I also got in 20 minutes of exercise somehow and began my finger workout after that. Alas, 30 minutes into it my sweet 2 year old R woke up and was inconsolable when her dad tried to calm her, so of course when he's gone through all the tricks in the book it's time for mom to take action. And now that she's back to sleep, I'm afraid to play for fear of waking her!

Tomorrow is the day of rest, so I'm hoping I can get some restful playing in then.

Today I did Hannon 1-10, arpeggios in C, G and D, and scales in B Major and F# Major. This was 20 minutes of warming up. I was planning for a full hour or more of practice tonight since I've had several 30 minute days this week. I went through my prelude 21 and started in on the Fugue when she awoke. I was barely able to work on the fingering before I had to go back there.

Hey, with as much as I have to do, I'm proud to get 30 minutes in per day! In a few years, I'll be able to dedicate a lot more time to the piano. For now, I'm grateful I can get in any time at all.

Just 30 minutes today, again.

I was interrupted tonight by a crying little girl, so I was unable to completely my practice. Since I didn't start until 11 pm, that means the practice is over for today. I only worked on the Fugue today, but I intended to work on some other pieces as well. Mostly I worked on the fingering. With baroque music, the fingering has to be absolutely perfect. I'm working on the second section of it, and I will soon have that fingering down. I'm hoping in another few weeks I will have the fingering perfected and I can really fine tune it and work on the dynamics.

I also warmed up with Hannon 11-20 today.

So far, no Nocturne

I have done about half my practicing today, and I haven't played the nocturne in quite a while. I think I just needed a break! I'm not quite sure if I'm ready to play it again yet, but I'm sure I will be soon. I feel a little burnt out on that one.

Today I did Hannon 1-10, and I worked on my Fugue for about 15 minutes and I worked on my trouble spot in Clair de Lune. I *almost* played the grand at church tonight, but I had a super tired little darling that is asleep on my lap right now (finally). She had major bags under her eyes all evening, but Hubby and I both had to be at the church tonight, so she had to tag along. Poor little thing.

I'm not sure if I'm going to get any more practicing in tonight. I have data entry stuff to work on, and I haven't done any yoga yet today! Eep!

Two days in a row

Today and yesterday I took a break from The Nocturne. I enjoy playing it, but playing it day in and day out really makes me weary. Darn my ADD! That is why I have so many songs that I'm working on. I can't just focus on two or three. I have to have ten.

Today I got the opportunity to play on the grand at church. I don't get to play on it often, but I enjoy playing it when I do. I'm used to playing my Kia, but at church I get to play the Lexus. In a few years, I'm hoping the Steinway at my parent's house will be refurbished so I can play on a Rolls Royce :)

Yesterday I worked through Hannon 1-10 and today I did 11-20. Yesterday I did arpeggios but today I did none, and I haven't done scales either day.

I've been working really hard on my Schubert Impromptu no. 4, and also my Tcherepnin Bagatelle. I enjoy the first because it is just so beautiful and flowy, light and airy, but has a lovely heavier trio in the middle. The Tcherpnin is a lot of fun, almost like a joke. It is the last Bagatelle in a series of 10, and the end you have to scoot yourself up to the end of the bench to really get the notes hit right-- you play the very highest note, so it's like you're scooting off the bench ready to be done with it already.

I read up on Tcherepnin yesterday. He is from a family of composers, with his father and son both being composers as well. So, kind of like a 20th century Bach.

Speaking of Bach, I worked on the Fugue yesteday for a bit. Today I worked on Clair de Lune. I have three measures toward the end that trip me up every time. I'm going to work those three measures every day 10 times before I work on other sections, just so I can memorize it again. I also have a couple trouble spots in the key change area.

Today's practice total was 80 minutes, which surprises me because I almost didn't practice at all. I had a rough day, and my kids were making me insane. Usually I get practicing in a little while dinner's in the oven or while the kids are in the bath, but not tonight. I had 10 minutes at the church and the rest was at home.

Yesterday I got in 65 minutes. I would have gotten in a lot more but I was preparing to teach preschool today (which is partly why I had such a rough day-- L never listens to me during preschool and it can get to be overwhelming, but I found out it's not just me at least!).

Starting to feel confident again

Finally I'm feeling like I'm a decent pianist. I'm not awesome, and I'm no virtuoso by any stretch of the imagination, but I am good enough to put on a show (or I will be in the near future, anyway!). Today I got in 90 minutes. I'd like to get more days like this in. The thing is, playing the piano is so good for me. It helps my mental capacity, it keeps me more level-headed, I love playing, and while I'm playing I am not eating, which is great for my waistline.

Let's review what I played today. Before the kids went to bed, I practiced for about 30 minutes. About 20 minutes were spent working on the Chopin Nocturne. Then I got out some of my old piano books and played a couple songs out of them. They're really fun songs, and I will be adding them to my list of songs that I'm working on. I hope to have a repitoire 10 or 12 songs that I have memorized and perfected so when I am requested to play, I can just sit down and plunk out a couple pieces. Both of these that I worked on today are quite fast (I kind of have a thing for fast and loud, but as I get older I'm discovering my tastes are changing). First I picked up my Schubert Impromtus book (opus 90). I played no. 4. It is so gorgeous. This video is Rubinstein playing. I could actually play this piece very, very well in my prime. Hopefully I'll get back to that level. Next was a Tcherepnin bagatelle, opus 5, no. 10. I can't find a professional recording of this piece, but it is quite lovely, as well. Very fast and furious (speed is presto!). Fun piece to play, and to hear. This is the kind of 20th century music that hubby can appreciate, I think.

After the kiddos went to bed, I got back on the piano and did some warm-ups first. That's two days in a row! I did about 15 minutes of Hannon, working on 11-20 (yesterday I did 1-10, and I plan to keep working on 10 per day). I then worked on my scales, B Major and F sharp Major. I am working on those two keys in particular for the benefit of the Nocturne. The Nocturne doesn't have anything written in F sharp Major, but there is a part where you basically play an F sharp Major scale, really really fast, so I'd better learn it! Finally, I did about 3 minutes of arpeggios, in C Major. Just a little floating up and down the keys to really get my fingers working on accuracy.

Then I pulled out Bach's Prelude 21 and ran through that a few times, trying to work out a few kinks. I mostly have it memorized, but there are a few parts in there where my fingers slip, and I want to correct that. Of course, I worked on the Fugue following that, for quite a while. I have the Fugue divided up into about 4 sections, and I'm working the fingering section by section, and then I'll be able to put it all together and it will sound fantastic. Baroque music needs to be very smooth and seamless. You typically don't use the sustain pedal with Baroque music, so you have to really hold the keys down for it to sound good. When I first started playing Baroque music, I got scolded for using the pedals, so now I never use the pedals when playing Baroque, and I actually use the pedals a lot less than I did before, because my skill at holding keys down has improved. I think I practiced the Prelude and Fugue for 20 minutes.

After the prelude, I pulled out May Song and worked on that for about ten minutes. I hadn't played it in a long time, so I was a little rusty. It is perfected and memorized, but if I don't play it regularly I'll lose it again. I don't want to risk that. Lastly, I worked on Clair de Lune by Debussy for about 5 minutes, only playing through it once. I need to work on it tomorrow for a bit longer-- the ending still needs some work, as does the key change. I'm close on that piece. Hopefully in a couple more weeks I'll have it down again.

Making up for lost time

Today I practiced at total of 85 minutes.

The first 5ish minutes were during the day when everyone was awake. I would have practiced more, but our house is small and the playoffs were on. So I got booted. Bummer. I mostly practiced Clair de Lune during this time.

I started practicing again after the kids were in bed. Hubby was gone at the moment, so I took advantage of the time and worked on "Ballet of Unhatched Chickens." It is his favorite and all, but I just needed peace and quiet to get it done. I worked on that for about 20 minutes.

I needed to finish off my 20th century stuff with "O Polichinelo," so I worked on that for about 1o minutes. It's sounding better!

Then I actually did warm ups! I can't believe it! It felt good, and I need to do them every day. I did 11 Hannon exercises, which took about 15 minutes, and scales in B major for about 5 minutes. I'm hoping working on these will improve my overall speed and accuracy.

Then I worked on The Nocturne. And I played it through, the whole way! It was awesome. I worked on this piece for 30 minutes. Loving it so much! Can't wait till I can actually perform it. I'll record it in a few days so you can here where I am right now, played through from the beginning. I'm not that good yet, and I'm not nearly as fast as I need to be, but I'll get there. Soon. I hope!

Guess what I found?

Yes, my camera. Which is also my microphone. I tore my house apart for two days, and it was hiding in plain sight! Isn't that always the case?

Anywho, because I found it I had to make a recording. And since I haven't recorded O Polichinelo, the Villa-Lobos number, yet, I thought I'd give it a whirl. This recording isn't that great of quality (I AM using my camera, after all, plus a 100 year old piano that is out of tune), and I am certainly not as talented as Bratke on this song, but here it is. But wait!!! My computer is having issues. So I'll post it tomorrow. Sorry.

Today's practice included 30 minutes work on the Chopin Nocturne, 20 minutes on the Bach Fugue, 10 minutes on O Polichinelo, 20 minutes on Modest Mussorgsky's "Ballet of Unhatched Chickens" from Pictures at an Exhibition, and about 15 minutes on Clair de Lune.

I am having a really hard time finding a recording of "Ballet of Unhatched Chickens" in piano for you. The thing is, Mussorgsky originally wrote it for piano, but it seems that most folks prefer to hear it orchestrated. Some other parts of Pictures is much more well known and popular, therefore there are plenty of recordings of those parts on the Internet. But I can't find my song anywhere! I'll keep looking, and hopefully I'll have something for you to listen to soon.

Or else, I'd better just get my act together and get this performance-ready and record it!

Another short day... sigh

We STILL haven't found the camera. We have the feeling that we need to get the house clean and orderly before we will find it. Because I am a complete basketcase, I was again unable to complete a full hour of practicing. But I got in 40 minutes, which is much better than yesterday. Today was a super busy day anyway, and I got 12 points for the Healthy Living Challenge today and L had preschool, plus hubby was out all day running errands, then we went to some friends' house. I wasn't completely uninspired today, but I was a bit depressed and I'm sure m y practice session could have gone better. I'm chalking my decent mood for the circumstances on all the exercise.

All my practicing today focused on the Nocturne. I would really like to get the fingering down and be able to play the whole thing through. I really need to work on my speed and accuracy once I can actually play the whole song.

Maybe once I find the camera I'll be able to record it for you to hear how I've improved.

Frustrated

I am so flippin' frustrated tonight I can't see straight. L took the camera somewhere and we have torn the house apart and can't find it. She has no idea where she put it (and how would she-- she's 4!). So. I got in a little practice on the nocturne tonight and I fear I will be unable to practice any more. I probably will stay up all night till I find the thing. I'm just glad I got some practice in today. I'll make up for it tomorrow (if we have the camera!).

Right on the money

I got in exactly 60 minutes of practice today, which is my goal. I was a bit uninspired, so once the 60 minute mark rolled around, I considered continuing on, but then I thought I'd rather get the house cleaned up and go to bed.

The first 20 minutes I spent working on my Bach fugue. It is sounding a lot better. I have the first three lines down, so now I'm working on the rest of the first page (it is about 2 1/2 pages in my book). I'll do another recording in a week or so so you can see my progress. I am really enjoying learning this fugue, and I'm thinking I'll learn another prelude and fugue in the near future so I have a couple of those under my belt.

I worked on my Chopin nocturne for another little while, about 30 minutes, and I am creeping up and learning all of page two. I have now played that whole page through. It gets really fast in one part, which is the only spot where I have trouble. I need to learn some tricks to improve my speed.

Finally, I worked on my Villa-Lobos number. That's a fun one. It's also very, very fast. Fortunately, it is also hard for the casual listener to tell if you've made a mistake, so it's not the end of the world if you hit a few wrong notes during the piece. I know a lot of people out there probably don't appreciate music like this, but I *heart* 20th century music.

Another day down, and I'm feeling more and more confident with my playing. Even though today I was uninspired and was ready to quit at any second, I got a lot accomplished. Usually that doesn't happen when I'm feeling this way when I practice.

And 40 minutes of practice time later...

I ended up practicing for an additional 40 minutes tonight! I ended up making some recordings of some of the songs I am working on. They are works in progress, so you'll be able to hear how I progress as the year goes on. I recorded three pieces. First is Clair de Lune, which has a lot of mistakes in it, but considering I haven't perfected it and I get a little microphone shy, it's not so bad.

Second is The Nocturne. You'll notice a huge jump from the beginning to the key change, and that is because I can't play the whole thing through yet. Still many mistakes, but I have until October so I think I'm safe.

Third is the prelude and fugue by Bach (WTC book 1, #21). Again, my fingers aren't as nimble as they used to be, also I was practically sight reading more than half of the fugue. I really need to work on my nimbleness! What I REALLY need is lessons! Oh, this blasted economy-- I would get the lessons if I could, but the construction industry is pretty terrible right now. Many home builders are getting in to hubby's field (asbestos abatement) and it's tough to get a good job right now, so things like lessons go by the wayside. I'm just hoping we can put L in violin lessons next year like we promised!

Yeah, that's twice that I didn't check in.

I'm having a bummer week. But I'm keeping up with the practicing. I also noticed I had been neglecting my journal blog, so I had to post a bit on that today.

Yesterday I got in about 50 minutes, practicing Bach and Chopin only.

Today I have spent the majority of my time on those as well, but I also played Clair de Lune. I was about to open to that tonight when I opened to "O Polichinelo" from Prolo do Bebe, No. 1 instead. This little ditty is by Heitor Villa-Lobos. It is very fast and lots of fun. Listen here as performed by Marcelo Bratke. I can't play this piece nearly as well as this guy, but at one time I played it fairly well. I believe it was included on my senior recital. The hubby thinks it is just a mess of keys, which is what it probably sounds like right now anyway, so I'll give him that. But I was playing it more like at moderato, rather than presto. So I can understand his dislike. My goal is to make him like this piece! 20th century music can be hard to appreciate sometimes, but this is a great piece and its so fun.

Today so far I have about 50 minutes in as well. I'm going to get back to those ivories before I hit the hay so hopefully I can get at least another 10 minutes in tonight!

Wait, did I miss a day?

I didn't miss a day of practice, but I did forget to blog yesterday! Oops!

First of all, I'm glad I took that break from the nocturne. Yesterday I was so much more productive during my practice time than I had been previously. I had a renewed energy and motivation to learn it. I actually now have played through the key change which begins at the end of the second page. I'm still working through some of the rhythms, and some of the notes are a little kooky for my fingers still, but I'll have it down in a few days I am sure. My goal was to finish the 3rd page by the end of February, but I'll have it down by mid January instead! I am way ahead of schedule!

Honestly, I can't remember what else I practiced, but I got in 70 minutes, and I know for sure that not all of that was spent on the nocturne.

So far today, I've gotten about 40 minutes in, just sitting down when I have a few minutes here and there. I've only worked on the nocturne today thus far, but hopefully I can get in a few more minutes today to bring it up to a full hour of practice for the day.

Tomorrow I'm having 2 nephews, a niece, and an almost niece come over to my house while my sister goes to the dentist, so I'm not sure I'll be able to get much practicing in then. But I'm crossing my fingers that I can get in my whole hour. If not, well, I'll blame it on having six kids in my house.

Uninspired

Today I really felt uninspired with my practice. And I was really feeling most uninspired about my nocturne. So I took a day off from playing it today.

Today I worked on Clair de Lune while dinner was in the oven. I went through it a couple of times, trying to make it smooth and beautiful again. 10 minutes there.

When the kiddos were in the bath, I practiced Bach's prelude and fugue 21 from WTC1. I kept practicing this until we had an incident involving shampoo in the bathroom. This was about 20 minutes.

Tonight after watching Monk and Psych (love fake psychics!), I practiced a few pieces that I've worked on in the past-- a Mozart sonata in C (k545 I believe it is), which is pretty easy compared to the Beethoven sonata I'm working on. I also sightread another Beethoven sonata that just so happened to be on the page after the Mozart one. I also worked on a Chopin waltz for a while. I debated cracking open the Beethoven sonata tonight, but I'm really not feeling inspired at all today, so I'm just glad I got in my 60 minutes.

Today's Progress

So, I didn't get any practicing in during the day. Maybe 5 minutes total. I sat down and started playing my nocturne but didn't get very far. Today was very busy, and we were gone this evening, so I was worried I wouldn't be able to get in all my time today.

Both my husband and I had volunteer work with youth at our church tonight. This means The Children had to come with us. Fortunately, there were several other kids there tonight for the girls to play with, and they had a great time running around the church causing all kinds of problems. This did mean that we got home well after their 8 o'clock bedtime, and children weren't snuggled up in their beds dreaming sweet dreams until closer to 10.

Which is when I began my practice tonight.

I first worked on the nocturne (duh). I'm getting quite a bit farther on page 3. I'm surprised how much easier this work is for me than I initially thought. It's going much more quickly than I anticipated. I'll need to spend a lot of time working on detail work, but it will be nice to be able to play it through at a decent tempo. One problem that I have being ADD is that my mind starts wandering if I play a piece too far below tempo, so I find it difficult to sightread for that reason (and a couple others, including the fact that when I first learned to play I couldn't see and essentially learned to play by ear and shape before I learned to read music well).

For some reason, I wasn't really feeling the nocturne today and stopped practicing early and went on to a waltz for a little while. This helped me to keep my focus and continue on for a total of 65 minutes (70 if you count earlier today... and since I have little kids, I count every second I spend at the piano, assuming I'm not just goofing off).

Then I worked on Prelude 21 by Bach. I'm having a bit of trouble keeping it even. It is a very quick piece and is really fun to play. I worked this one for about 10 minutes and moved on to the accompanying fugue, which I worked on for about 20 minutes.

For the last little bit of my practice time, I worked on Clair de Lune and tried to record it for you. I am not going to share it, however! For some reason, once the record button is pressed, I start making stupid mistakes that I never make while practicing.

One thing I have noticed, though, is I make fewer mistakes when I play a good piano. So the Kawai at church? That's well maintained and tuned semiannually? I sound really good and hardly make any mistakes.

My next mission is to find time about once a month to record at the church and share it here. I would aim for more often, but... well, it's just hard to find a couple hours that I can spend playing piano away from home without the kids.

Wednesday is my busy day

Today L had preschool, I had a church meeting, and I also had another appointment in the afternoon. Thankfully, I was able to get some practice time in while the chicken was defrosting in the microwave and again while the girls were in the bath (they're still there now-- they found mom's bubble bath and have been having a grand time). All in all, I got in 15 minutes of working on Clair de Lune, 30 minutes of Fugue 21, and I started playing the nocturne. But I had to quit because I'm about ready to put the kiddos in bed. Hopefully I can spend another 30 minutes tonight on the nocturne. I also have to get some yoga in there somewhere.

Back on track

Today I practiced 70 minutes. The first half hour, I worked on my Chopin nocturne, the second half I worked on Fugue 21 by Bach, and the last 10 minutes I worked on Clair de Lune. I'm working on memorizing Clair de Lune again, and I'm very close. I still get a little tripped up on the ending. Tomorrow I may not get as much time in-- it's looking like it may be a busy day tomorrow. Such is life.

Tired tonight

I'm glad I got about 30 minutes of practicing in earlier today, because I'm beat! It was actually closer to 40 because I sat down a second time and went over some parts in the nocturne I'm working on. I also ended up with a total of 70 minutes yesterday, focusing on Beethoven's sonata 8 and also (of course) the nocturne. Dave told me today that when I first began playing that song, he thought I was doing warm up exercises! But now it sounds like music.

Today I wanted to work on the Fugue, but all I got in was a waltz and the nocturne. OK practicing today, but at least I got something in!

On a roll!

I'm pleased to say that not only did I finish practicing last night, I also ended up with 100 minutes of practicing at the end! And today I've practiced about 40 minutes so far. Not too shabby!

I worked on Beethoven's Sonata no. 8 in C minor, op. 13 (Pathétique) last night and today. This is a piece I was working on when I was a piano performance major, and although I made a lot of progress on it while I was there, I didn't get it to the level I'd like. The hardest part is the tremolos in the first movement. The second movement is fairly straightforward and is probably one of the most well known pieces. Here's the first movement performed by Vladimir Ashkenazy. I also love the third movement, probably the least played of the three. I haven't studied that one with a teacher, but I plan to perfect it this year as well. I'm fairly close on this one, but get tripped up a little at some of the chords.

Today I worked on Sonata 8 again, and I also focused on page 3 of my Chopin Nocturne. I have another line that I started working on today and expect to have it learned to where I can play it without much effort in a day or two. It's going surprisingly fast! My goal was to have the whole piece playable by April 30, but it looks like I may get it by the end of February! Or sooner! I'm so excited about that! This means I will have a lot more time to spend on details, perfecting the dynamics, ensuring the voice leads (which can be difficult-- I usually play the leading notes at regular volume and press on top of the keys without pressing them down to work on the other parts-- it can be difficult to play two volumes at once, especially on the same hand), and memorizing this piece by ear and by shape. I then hope to have it to a close-to-perfect level by June or July, just to be safe.

I still would like to get some practicing in tonight. I probably should do some scales or something, too. Right now, I'm holding my almost-sleeping little girl and am going to work on a little theory!

I'm not done yet...

Munchkin 2 is here on my lap starting to snooze, so I thought I'd update you on my practice today while I have the chance. Tomorrow is a busy day (church at 9!) so I need to get to bed early.

So. I have only practiced in short bursts today, but that's better than nothin'! Total of about 30 minutes so far, but I'd like to get a bit more in before I go to be to hopefully bring it up to a full hour or more.

I once again worked on my beautiful Chopin nocturne and waltz. One fun thing about today was cleaning up the church. After we were done, I sat down at the grand piano and played for about 10-15 minutes. I brought my music from home with the intention of doing just that! I worked really hard to clean the church, so I deserved it, darn it! This piano is very well maintained. In fact, there are maintenance records of this piano inside the piano. It was last tuned in November. It is tuned religiously (lol) every six months. Playing on this piano actually left me breathless with how beautiful the pieces I'm playing are. I also played Clair de Lune from memory, which I could do until the last two pages before I couldn't remember anymore. So I faked an ending, because I couldn't just leave it there hanging! The nocturne actually sounded good! Even with whole pages skipped because I can't play them yet! It left me with that tingly feeling I get when I play Clair de Lune. It was exhilarating! I'd like to get a chance to play a grand about once a week. Can't wait 'till the folks get back from Germany and we can start planning the Steinway renovation project (bet you guys didn't know we're getting the whole thing restored now, did you?).

What a difference playing a piano that is in tune makes! It was absolutely beautiful. I can't believe how much better I sounded! The action was perfect, the keys were so much more sensitive, and the upper register of the piano played brilliantly and much louder than mine at home. I'm scared to get my piano tuned. My neighbor tunes pianos and told me that with some of the older pianos, the strings break pretty easily. Since they're old pianos, the strings aren't standard size, so you have to special order them. Sooo... I don't know if I should tune it or wait to get a new one! I'm considering getting a digital piano when we have the money for it so I can play a piano that is in tune and also have a recording function so I can use something other than my camera. Oh, a girl can dream.

Later today, I started working on a Bach fugue. I already know prelude 21 from The Well Tempered Clavier book 1. In fact, this is another piece that I auditioned with. It is super fun to play and very fast, with some great chords in there and just sprinkled with a few flourishes. Mostly this prelude is about speed. The fugue is great too, and I really need to learn it.

Goals for myself: Establish a list of "must learn" pieces from all the major composers. I realize that I have never played anything by Brahms, Schubert, Schumann, Liszt, and several other important composers. I really need to get some works going from all those guys, and more! I'll start a running list on the side bar in a day or two with pieces I know, pieces I'm re-perfecting, pieces I'm working on, and pieces I'd like to learn someday.

Well, the kiddo is in bed so it's time for me to get working on my next half hour!

Day 2

Another day, another successful practice session. I got half my practicing in during the late morning, the rest at night at 11. I was away from home during the afternoon and into the evening today. Dave had the girls and I was with one of my favorite people in the whole wide world, Diane B. She is so sweet and kind and humble. Plus my kids both love her. She used to babysit L. when she was a wee one, right up until I had R. In fact, I think L. was with her when I went into labor.

Anyway. Here are my challenges: I'm not very good at warming up and practicing scales, arpeggios, Hannon exercises, etc. I need to get better at that. It's just that, when I sit down to practice, I want to feel the music, and I don't really feel the music with those. It is uninspiring to me. So I've got to find a way to be inspired when I play. Sometimes I will run a few scales and arpeggios in the key of works I'm focusing on. But lately, that's it. My practice time is so precious that I don't want to spend it running scales. Then again, it will improve my technique, so I should do it anyway.

Oh, the trials of being ADD.

I also haven't figured out how to run through a song the first time all the way through if it is in any way challenging. I don't like playing really slow. I will slow a piece down if I'm micro-focusing on it, and I won't play it completely up to tempo when I'm just learning it, but I have a hard time really going through it slow enough to get all the notes and finish the piece without first losing concentration and starting to think about something else. Another trial of my ADD.

Today, I worked on the same pieces as yesterday. I have been working on the last line of page three of Chopin Nocturne 62/1 and will probably have it down in a day or two. I'll just keep working my way backward until I have the whole piece down, then I can start playing it through and I'll be so happy to feel the music of that song.

As far as the waltz goes, I'm "passing off" the trio. The way I "pass off" on something is to play it 10 times without a mistake (fingering, timing and notes all perfect). Then I can move on to the next section. Since I can't count very easily when I play piano, I use a trick I learned as a teenager that has improved my practicing skills immensely. What I did then was take two small bowls, and put them on either side of the piano desk. Inside one bowl would be 10 pieces of macaroni. As I played a section, I would transfer one noodle to the other bowl. Since I don't have bowls that are small enough to fit on my upright piano now as an adult, I've found that a saucer works very well. I put 10 beans in the center (or today, eight beans and two raisins) and as I play I can move the bean to the outer rim . I actually like this method better since I can very quickly move the beans over. It saves time over my previous method.

At the end of practicing today, I played Debussy's Clair de Lune, here performed by Van Clibun. I'm not back to performance level with this piece, but I sure enjoy myself when I play it. It is my favorite song of all time. It's one that I auditioned with way back when. Whenever I play it, I feel so rejuvenated and happy.

No recordings of me today. As for now, I need to get to bed. I've stayed up way too late once again, and I have to start getting up in time for 9 am church starting on Sunday! I got spoiled with church being at 1.

Today I practiced in spurts during the day. This is unusual for me, as I usually practice at night after the kiddos are in bed. My main focus today was on two different Chopin works. I practiced both for approximately 30 minutes.

The first piece I focused on was a waltz, opus 69 no. 2 (posthumous). It is a beautiful piece. Just take a listen to this beautiful waltz on YouTube performed by Arthur Rubinstein. My method is working one line at a time, figuring out the fingering first and practicing each section over and over until I can continue to the next. I overlap the sections so there is continuity when I put them together.

Later, I started working on my big piece, the piece that will probably take up most of my attention during this year. This is a Chopin Nocturne, opus 62 no. 1. Here's what it's supposed to sound like, as performed by Rubinstein. So far, I have the first 9-10 measures basically down (though you wouldn't be able to tell by my recording), and the last two pages, starting with the key change (at about 4'25" in the YouTube recording). I'm terribly slow with all the ornamentals, but I'll get there, darn it. I have until October, and it's coming together much faster than I anticipated! My goal was to have the 4th page down, at least as far as the notes are concerned by 1/31, but I already have it down and am starting on the 3rd page (last line). And here's my pathetic attempt at this beautiful nocturne, minus the middle. Normally, I would keep this to myself, but since I'm blogging my progress this year, this will make for a great comparison when this song is recital-ready!

I didn't get in any theory study or music history study today.