Since I last blogged? Yipes. My parents actually thought I had given up the practicing. Not so. I'm still practicing daily, and today I was actually able to bump up my average to an even 60 minutes per day in February. I was feeling rather uninspired today, otherwise I would have spent a bit more time working on my pieces. I worked on Beethoven Sonata no. 8, drilled a few portions of it and then played through the whole thing to see how it sounds. Ugh. Not so pretty. I have some work to do on that one! I'm hoping part of my problem was the lack of inspiration I had today. Oh well.
I also worked on Clair de Lune a bit, just playing it through a few times. I'm working on memorization with this one, and there's not really any big problem areas right now, though I could stand to do some drills at the key change, and I think I need to slow it down a little bit.
Next I worked through the Nocturne, drilling my speedy parts. I also made a discovery-- at the first super fast run, I was actually playing too many notes. I was playing 43 notes when actually only 41 are notated! It's not going to make that big of a difference in getting the speed to where I want it, but it's nice to know I was playing it wrong all this time before I got it totally ingrained in my memory. So I drilled it a few times to work on the actual way it is supposed to be played, then I played the song through once. Again, it sounded awful, hopefully due in part to my lack of inspiration today.
I was going for 65 minutes of practice today to bump up my time, and I had three minutes to go, so I played May Song from memory. I'm pleased to say that I still remembered it! It didn't sound so great, but I know it, I know the notes, I know the dynamics, but I just didn't feel it today. Perhaps I'll feel music tomorrow.
Showing posts with label Clair de Lune. Show all posts
Showing posts with label Clair de Lune. Show all posts
Sunday, February 15, 2009
Thursday, January 22, 2009
So far, no Nocturne
I have done about half my practicing today, and I haven't played the nocturne in quite a while. I think I just needed a break! I'm not quite sure if I'm ready to play it again yet, but I'm sure I will be soon. I feel a little burnt out on that one.
Today I did Hannon 1-10, and I worked on my Fugue for about 15 minutes and I worked on my trouble spot in Clair de Lune. I *almost* played the grand at church tonight, but I had a super tired little darling that is asleep on my lap right now (finally). She had major bags under her eyes all evening, but Hubby and I both had to be at the church tonight, so she had to tag along. Poor little thing.
I'm not sure if I'm going to get any more practicing in tonight. I have data entry stuff to work on, and I haven't done any yoga yet today! Eep!
Today I did Hannon 1-10, and I worked on my Fugue for about 15 minutes and I worked on my trouble spot in Clair de Lune. I *almost* played the grand at church tonight, but I had a super tired little darling that is asleep on my lap right now (finally). She had major bags under her eyes all evening, but Hubby and I both had to be at the church tonight, so she had to tag along. Poor little thing.
I'm not sure if I'm going to get any more practicing in tonight. I have data entry stuff to work on, and I haven't done any yoga yet today! Eep!
Wednesday, January 21, 2009
Two days in a row
Today and yesterday I took a break from The Nocturne. I enjoy playing it, but playing it day in and day out really makes me weary. Darn my ADD! That is why I have so many songs that I'm working on. I can't just focus on two or three. I have to have ten.
Today I got the opportunity to play on the grand at church. I don't get to play on it often, but I enjoy playing it when I do. I'm used to playing my Kia, but at church I get to play the Lexus. In a few years, I'm hoping the Steinway at my parent's house will be refurbished so I can play on a Rolls Royce :)
Yesterday I worked through Hannon 1-10 and today I did 11-20. Yesterday I did arpeggios but today I did none, and I haven't done scales either day.
I've been working really hard on my Schubert Impromptu no. 4, and also my Tcherepnin Bagatelle. I enjoy the first because it is just so beautiful and flowy, light and airy, but has a lovely heavier trio in the middle. The Tcherpnin is a lot of fun, almost like a joke. It is the last Bagatelle in a series of 10, and the end you have to scoot yourself up to the end of the bench to really get the notes hit right-- you play the very highest note, so it's like you're scooting off the bench ready to be done with it already.
I read up on Tcherepnin yesterday. He is from a family of composers, with his father and son both being composers as well. So, kind of like a 20th century Bach.
Speaking of Bach, I worked on the Fugue yesteday for a bit. Today I worked on Clair de Lune. I have three measures toward the end that trip me up every time. I'm going to work those three measures every day 10 times before I work on other sections, just so I can memorize it again. I also have a couple trouble spots in the key change area.
Today's practice total was 80 minutes, which surprises me because I almost didn't practice at all. I had a rough day, and my kids were making me insane. Usually I get practicing in a little while dinner's in the oven or while the kids are in the bath, but not tonight. I had 10 minutes at the church and the rest was at home.
Yesterday I got in 65 minutes. I would have gotten in a lot more but I was preparing to teach preschool today (which is partly why I had such a rough day-- L never listens to me during preschool and it can get to be overwhelming, but I found out it's not just me at least!).
Today I got the opportunity to play on the grand at church. I don't get to play on it often, but I enjoy playing it when I do. I'm used to playing my Kia, but at church I get to play the Lexus. In a few years, I'm hoping the Steinway at my parent's house will be refurbished so I can play on a Rolls Royce :)
Yesterday I worked through Hannon 1-10 and today I did 11-20. Yesterday I did arpeggios but today I did none, and I haven't done scales either day.
I've been working really hard on my Schubert Impromptu no. 4, and also my Tcherepnin Bagatelle. I enjoy the first because it is just so beautiful and flowy, light and airy, but has a lovely heavier trio in the middle. The Tcherpnin is a lot of fun, almost like a joke. It is the last Bagatelle in a series of 10, and the end you have to scoot yourself up to the end of the bench to really get the notes hit right-- you play the very highest note, so it's like you're scooting off the bench ready to be done with it already.
I read up on Tcherepnin yesterday. He is from a family of composers, with his father and son both being composers as well. So, kind of like a 20th century Bach.
Speaking of Bach, I worked on the Fugue yesteday for a bit. Today I worked on Clair de Lune. I have three measures toward the end that trip me up every time. I'm going to work those three measures every day 10 times before I work on other sections, just so I can memorize it again. I also have a couple trouble spots in the key change area.
Today's practice total was 80 minutes, which surprises me because I almost didn't practice at all. I had a rough day, and my kids were making me insane. Usually I get practicing in a little while dinner's in the oven or while the kids are in the bath, but not tonight. I had 10 minutes at the church and the rest was at home.
Yesterday I got in 65 minutes. I would have gotten in a lot more but I was preparing to teach preschool today (which is partly why I had such a rough day-- L never listens to me during preschool and it can get to be overwhelming, but I found out it's not just me at least!).
Monday, January 19, 2009
Starting to feel confident again
Finally I'm feeling like I'm a decent pianist. I'm not awesome, and I'm no virtuoso by any stretch of the imagination, but I am good enough to put on a show (or I will be in the near future, anyway!). Today I got in 90 minutes. I'd like to get more days like this in. The thing is, playing the piano is so good for me. It helps my mental capacity, it keeps me more level-headed, I love playing, and while I'm playing I am not eating, which is great for my waistline.
Let's review what I played today. Before the kids went to bed, I practiced for about 30 minutes. About 20 minutes were spent working on the Chopin Nocturne. Then I got out some of my old piano books and played a couple songs out of them. They're really fun songs, and I will be adding them to my list of songs that I'm working on. I hope to have a repitoire 10 or 12 songs that I have memorized and perfected so when I am requested to play, I can just sit down and plunk out a couple pieces. Both of these that I worked on today are quite fast (I kind of have a thing for fast and loud, but as I get older I'm discovering my tastes are changing). First I picked up my Schubert Impromtus book (opus 90). I played no. 4. It is so gorgeous. This video is Rubinstein playing. I could actually play this piece very, very well in my prime. Hopefully I'll get back to that level. Next was a Tcherepnin bagatelle, opus 5, no. 10. I can't find a professional recording of this piece, but it is quite lovely, as well. Very fast and furious (speed is presto!). Fun piece to play, and to hear. This is the kind of 20th century music that hubby can appreciate, I think.
After the kiddos went to bed, I got back on the piano and did some warm-ups first. That's two days in a row! I did about 15 minutes of Hannon, working on 11-20 (yesterday I did 1-10, and I plan to keep working on 10 per day). I then worked on my scales, B Major and F sharp Major. I am working on those two keys in particular for the benefit of the Nocturne. The Nocturne doesn't have anything written in F sharp Major, but there is a part where you basically play an F sharp Major scale, really really fast, so I'd better learn it! Finally, I did about 3 minutes of arpeggios, in C Major. Just a little floating up and down the keys to really get my fingers working on accuracy.
Then I pulled out Bach's Prelude 21 and ran through that a few times, trying to work out a few kinks. I mostly have it memorized, but there are a few parts in there where my fingers slip, and I want to correct that. Of course, I worked on the Fugue following that, for quite a while. I have the Fugue divided up into about 4 sections, and I'm working the fingering section by section, and then I'll be able to put it all together and it will sound fantastic. Baroque music needs to be very smooth and seamless. You typically don't use the sustain pedal with Baroque music, so you have to really hold the keys down for it to sound good. When I first started playing Baroque music, I got scolded for using the pedals, so now I never use the pedals when playing Baroque, and I actually use the pedals a lot less than I did before, because my skill at holding keys down has improved. I think I practiced the Prelude and Fugue for 20 minutes.
After the prelude, I pulled out May Song and worked on that for about ten minutes. I hadn't played it in a long time, so I was a little rusty. It is perfected and memorized, but if I don't play it regularly I'll lose it again. I don't want to risk that. Lastly, I worked on Clair de Lune by Debussy for about 5 minutes, only playing through it once. I need to work on it tomorrow for a bit longer-- the ending still needs some work, as does the key change. I'm close on that piece. Hopefully in a couple more weeks I'll have it down again.
Let's review what I played today. Before the kids went to bed, I practiced for about 30 minutes. About 20 minutes were spent working on the Chopin Nocturne. Then I got out some of my old piano books and played a couple songs out of them. They're really fun songs, and I will be adding them to my list of songs that I'm working on. I hope to have a repitoire 10 or 12 songs that I have memorized and perfected so when I am requested to play, I can just sit down and plunk out a couple pieces. Both of these that I worked on today are quite fast (I kind of have a thing for fast and loud, but as I get older I'm discovering my tastes are changing). First I picked up my Schubert Impromtus book (opus 90). I played no. 4. It is so gorgeous. This video is Rubinstein playing. I could actually play this piece very, very well in my prime. Hopefully I'll get back to that level. Next was a Tcherepnin bagatelle, opus 5, no. 10. I can't find a professional recording of this piece, but it is quite lovely, as well. Very fast and furious (speed is presto!). Fun piece to play, and to hear. This is the kind of 20th century music that hubby can appreciate, I think.
After the kiddos went to bed, I got back on the piano and did some warm-ups first. That's two days in a row! I did about 15 minutes of Hannon, working on 11-20 (yesterday I did 1-10, and I plan to keep working on 10 per day). I then worked on my scales, B Major and F sharp Major. I am working on those two keys in particular for the benefit of the Nocturne. The Nocturne doesn't have anything written in F sharp Major, but there is a part where you basically play an F sharp Major scale, really really fast, so I'd better learn it! Finally, I did about 3 minutes of arpeggios, in C Major. Just a little floating up and down the keys to really get my fingers working on accuracy.
Then I pulled out Bach's Prelude 21 and ran through that a few times, trying to work out a few kinks. I mostly have it memorized, but there are a few parts in there where my fingers slip, and I want to correct that. Of course, I worked on the Fugue following that, for quite a while. I have the Fugue divided up into about 4 sections, and I'm working the fingering section by section, and then I'll be able to put it all together and it will sound fantastic. Baroque music needs to be very smooth and seamless. You typically don't use the sustain pedal with Baroque music, so you have to really hold the keys down for it to sound good. When I first started playing Baroque music, I got scolded for using the pedals, so now I never use the pedals when playing Baroque, and I actually use the pedals a lot less than I did before, because my skill at holding keys down has improved. I think I practiced the Prelude and Fugue for 20 minutes.
After the prelude, I pulled out May Song and worked on that for about ten minutes. I hadn't played it in a long time, so I was a little rusty. It is perfected and memorized, but if I don't play it regularly I'll lose it again. I don't want to risk that. Lastly, I worked on Clair de Lune by Debussy for about 5 minutes, only playing through it once. I need to work on it tomorrow for a bit longer-- the ending still needs some work, as does the key change. I'm close on that piece. Hopefully in a couple more weeks I'll have it down again.
Sunday, January 18, 2009
Making up for lost time
Today I practiced at total of 85 minutes.
The first 5ish minutes were during the day when everyone was awake. I would have practiced more, but our house is small and the playoffs were on. So I got booted. Bummer. I mostly practiced Clair de Lune during this time.
I started practicing again after the kids were in bed. Hubby was gone at the moment, so I took advantage of the time and worked on "Ballet of Unhatched Chickens." It is his favorite and all, but I just needed peace and quiet to get it done. I worked on that for about 20 minutes.
I needed to finish off my 20th century stuff with "O Polichinelo," so I worked on that for about 1o minutes. It's sounding better!
Then I actually did warm ups! I can't believe it! It felt good, and I need to do them every day. I did 11 Hannon exercises, which took about 15 minutes, and scales in B major for about 5 minutes. I'm hoping working on these will improve my overall speed and accuracy.
Then I worked on The Nocturne. And I played it through, the whole way! It was awesome. I worked on this piece for 30 minutes. Loving it so much! Can't wait till I can actually perform it. I'll record it in a few days so you can here where I am right now, played through from the beginning. I'm not that good yet, and I'm not nearly as fast as I need to be, but I'll get there. Soon. I hope!
The first 5ish minutes were during the day when everyone was awake. I would have practiced more, but our house is small and the playoffs were on. So I got booted. Bummer. I mostly practiced Clair de Lune during this time.
I started practicing again after the kids were in bed. Hubby was gone at the moment, so I took advantage of the time and worked on "Ballet of Unhatched Chickens." It is his favorite and all, but I just needed peace and quiet to get it done. I worked on that for about 20 minutes.
I needed to finish off my 20th century stuff with "O Polichinelo," so I worked on that for about 1o minutes. It's sounding better!
Then I actually did warm ups! I can't believe it! It felt good, and I need to do them every day. I did 11 Hannon exercises, which took about 15 minutes, and scales in B major for about 5 minutes. I'm hoping working on these will improve my overall speed and accuracy.
Then I worked on The Nocturne. And I played it through, the whole way! It was awesome. I worked on this piece for 30 minutes. Loving it so much! Can't wait till I can actually perform it. I'll record it in a few days so you can here where I am right now, played through from the beginning. I'm not that good yet, and I'm not nearly as fast as I need to be, but I'll get there. Soon. I hope!
Saturday, January 17, 2009
Guess what I found?
Yes, my camera. Which is also my microphone. I tore my house apart for two days, and it was hiding in plain sight! Isn't that always the case?
Anywho, because I found it I had to make a recording. And since I haven't recorded O Polichinelo, the Villa-Lobos number, yet, I thought I'd give it a whirl. This recording isn't that great of quality (I AM using my camera, after all, plus a 100 year old piano that is out of tune), and I am certainly not as talented as Bratke on this song, but here it is. But wait!!! My computer is having issues. So I'll post it tomorrow. Sorry.
Today's practice included 30 minutes work on the Chopin Nocturne, 20 minutes on the Bach Fugue, 10 minutes on O Polichinelo, 20 minutes on Modest Mussorgsky's "Ballet of Unhatched Chickens" from Pictures at an Exhibition, and about 15 minutes on Clair de Lune.
I am having a really hard time finding a recording of "Ballet of Unhatched Chickens" in piano for you. The thing is, Mussorgsky originally wrote it for piano, but it seems that most folks prefer to hear it orchestrated. Some other parts of Pictures is much more well known and popular, therefore there are plenty of recordings of those parts on the Internet. But I can't find my song anywhere! I'll keep looking, and hopefully I'll have something for you to listen to soon.
Or else, I'd better just get my act together and get this performance-ready and record it!
Anywho, because I found it I had to make a recording. And since I haven't recorded O Polichinelo, the Villa-Lobos number, yet, I thought I'd give it a whirl. This recording isn't that great of quality (I AM using my camera, after all, plus a 100 year old piano that is out of tune), and I am certainly not as talented as Bratke on this song, but here it is. But wait!!! My computer is having issues. So I'll post it tomorrow. Sorry.
Today's practice included 30 minutes work on the Chopin Nocturne, 20 minutes on the Bach Fugue, 10 minutes on O Polichinelo, 20 minutes on Modest Mussorgsky's "Ballet of Unhatched Chickens" from Pictures at an Exhibition, and about 15 minutes on Clair de Lune.
I am having a really hard time finding a recording of "Ballet of Unhatched Chickens" in piano for you. The thing is, Mussorgsky originally wrote it for piano, but it seems that most folks prefer to hear it orchestrated. Some other parts of Pictures is much more well known and popular, therefore there are plenty of recordings of those parts on the Internet. But I can't find my song anywhere! I'll keep looking, and hopefully I'll have something for you to listen to soon.
Or else, I'd better just get my act together and get this performance-ready and record it!
Tuesday, January 13, 2009
And 40 minutes of practice time later...
I ended up practicing for an additional 40 minutes tonight! I ended up making some recordings of some of the songs I am working on. They are works in progress, so you'll be able to hear how I progress as the year goes on. I recorded three pieces. First is Clair de Lune, which has a lot of mistakes in it, but considering I haven't perfected it and I get a little microphone shy, it's not so bad.
Second is The Nocturne. You'll notice a huge jump from the beginning to the key change, and that is because I can't play the whole thing through yet. Still many mistakes, but I have until October so I think I'm safe.
Third is the prelude and fugue by Bach (WTC book 1, #21). Again, my fingers aren't as nimble as they used to be, also I was practically sight reading more than half of the fugue. I really need to work on my nimbleness! What I REALLY need is lessons! Oh, this blasted economy-- I would get the lessons if I could, but the construction industry is pretty terrible right now. Many home builders are getting in to hubby's field (asbestos abatement) and it's tough to get a good job right now, so things like lessons go by the wayside. I'm just hoping we can put L in violin lessons next year like we promised!
Second is The Nocturne. You'll notice a huge jump from the beginning to the key change, and that is because I can't play the whole thing through yet. Still many mistakes, but I have until October so I think I'm safe.
Third is the prelude and fugue by Bach (WTC book 1, #21). Again, my fingers aren't as nimble as they used to be, also I was practically sight reading more than half of the fugue. I really need to work on my nimbleness! What I REALLY need is lessons! Oh, this blasted economy-- I would get the lessons if I could, but the construction industry is pretty terrible right now. Many home builders are getting in to hubby's field (asbestos abatement) and it's tough to get a good job right now, so things like lessons go by the wayside. I'm just hoping we can put L in violin lessons next year like we promised!
Yeah, that's twice that I didn't check in.
I'm having a bummer week. But I'm keeping up with the practicing. I also noticed I had been neglecting my journal blog, so I had to post a bit on that today.
Yesterday I got in about 50 minutes, practicing Bach and Chopin only.
Today I have spent the majority of my time on those as well, but I also played Clair de Lune. I was about to open to that tonight when I opened to "O Polichinelo" from Prolo do Bebe, No. 1 instead. This little ditty is by Heitor Villa-Lobos. It is very fast and lots of fun. Listen here as performed by Marcelo Bratke. I can't play this piece nearly as well as this guy, but at one time I played it fairly well. I believe it was included on my senior recital. The hubby thinks it is just a mess of keys, which is what it probably sounds like right now anyway, so I'll give him that. But I was playing it more like at moderato, rather than presto. So I can understand his dislike. My goal is to make him like this piece! 20th century music can be hard to appreciate sometimes, but this is a great piece and its so fun.
Today so far I have about 50 minutes in as well. I'm going to get back to those ivories before I hit the hay so hopefully I can get at least another 10 minutes in tonight!
Yesterday I got in about 50 minutes, practicing Bach and Chopin only.
Today I have spent the majority of my time on those as well, but I also played Clair de Lune. I was about to open to that tonight when I opened to "O Polichinelo" from Prolo do Bebe, No. 1 instead. This little ditty is by Heitor Villa-Lobos. It is very fast and lots of fun. Listen here as performed by Marcelo Bratke. I can't play this piece nearly as well as this guy, but at one time I played it fairly well. I believe it was included on my senior recital. The hubby thinks it is just a mess of keys, which is what it probably sounds like right now anyway, so I'll give him that. But I was playing it more like at moderato, rather than presto. So I can understand his dislike. My goal is to make him like this piece! 20th century music can be hard to appreciate sometimes, but this is a great piece and its so fun.
Today so far I have about 50 minutes in as well. I'm going to get back to those ivories before I hit the hay so hopefully I can get at least another 10 minutes in tonight!
Friday, January 9, 2009
Uninspired
Today I really felt uninspired with my practice. And I was really feeling most uninspired about my nocturne. So I took a day off from playing it today.
Today I worked on Clair de Lune while dinner was in the oven. I went through it a couple of times, trying to make it smooth and beautiful again. 10 minutes there.
When the kiddos were in the bath, I practiced Bach's prelude and fugue 21 from WTC1. I kept practicing this until we had an incident involving shampoo in the bathroom. This was about 20 minutes.
Tonight after watching Monk and Psych (love fake psychics!), I practiced a few pieces that I've worked on in the past-- a Mozart sonata in C (k545 I believe it is), which is pretty easy compared to the Beethoven sonata I'm working on. I also sightread another Beethoven sonata that just so happened to be on the page after the Mozart one. I also worked on a Chopin waltz for a while. I debated cracking open the Beethoven sonata tonight, but I'm really not feeling inspired at all today, so I'm just glad I got in my 60 minutes.
Today I worked on Clair de Lune while dinner was in the oven. I went through it a couple of times, trying to make it smooth and beautiful again. 10 minutes there.
When the kiddos were in the bath, I practiced Bach's prelude and fugue 21 from WTC1. I kept practicing this until we had an incident involving shampoo in the bathroom. This was about 20 minutes.
Tonight after watching Monk and Psych (love fake psychics!), I practiced a few pieces that I've worked on in the past-- a Mozart sonata in C (k545 I believe it is), which is pretty easy compared to the Beethoven sonata I'm working on. I also sightread another Beethoven sonata that just so happened to be on the page after the Mozart one. I also worked on a Chopin waltz for a while. I debated cracking open the Beethoven sonata tonight, but I'm really not feeling inspired at all today, so I'm just glad I got in my 60 minutes.
Thursday, January 8, 2009
Today's Progress
So, I didn't get any practicing in during the day. Maybe 5 minutes total. I sat down and started playing my nocturne but didn't get very far. Today was very busy, and we were gone this evening, so I was worried I wouldn't be able to get in all my time today.
Both my husband and I had volunteer work with youth at our church tonight. This means The Children had to come with us. Fortunately, there were several other kids there tonight for the girls to play with, and they had a great time running around the church causing all kinds of problems. This did mean that we got home well after their 8 o'clock bedtime, and children weren't snuggled up in their beds dreaming sweet dreams until closer to 10.
Which is when I began my practice tonight.
I first worked on the nocturne (duh). I'm getting quite a bit farther on page 3. I'm surprised how much easier this work is for me than I initially thought. It's going much more quickly than I anticipated. I'll need to spend a lot of time working on detail work, but it will be nice to be able to play it through at a decent tempo. One problem that I have being ADD is that my mind starts wandering if I play a piece too far below tempo, so I find it difficult to sightread for that reason (and a couple others, including the fact that when I first learned to play I couldn't see and essentially learned to play by ear and shape before I learned to read music well).
For some reason, I wasn't really feeling the nocturne today and stopped practicing early and went on to a waltz for a little while. This helped me to keep my focus and continue on for a total of 65 minutes (70 if you count earlier today... and since I have little kids, I count every second I spend at the piano, assuming I'm not just goofing off).
Then I worked on Prelude 21 by Bach. I'm having a bit of trouble keeping it even. It is a very quick piece and is really fun to play. I worked this one for about 10 minutes and moved on to the accompanying fugue, which I worked on for about 20 minutes.
For the last little bit of my practice time, I worked on Clair de Lune and tried to record it for you. I am not going to share it, however! For some reason, once the record button is pressed, I start making stupid mistakes that I never make while practicing.
One thing I have noticed, though, is I make fewer mistakes when I play a good piano. So the Kawai at church? That's well maintained and tuned semiannually? I sound really good and hardly make any mistakes.
My next mission is to find time about once a month to record at the church and share it here. I would aim for more often, but... well, it's just hard to find a couple hours that I can spend playing piano away from home without the kids.
Both my husband and I had volunteer work with youth at our church tonight. This means The Children had to come with us. Fortunately, there were several other kids there tonight for the girls to play with, and they had a great time running around the church causing all kinds of problems. This did mean that we got home well after their 8 o'clock bedtime, and children weren't snuggled up in their beds dreaming sweet dreams until closer to 10.
Which is when I began my practice tonight.
I first worked on the nocturne (duh). I'm getting quite a bit farther on page 3. I'm surprised how much easier this work is for me than I initially thought. It's going much more quickly than I anticipated. I'll need to spend a lot of time working on detail work, but it will be nice to be able to play it through at a decent tempo. One problem that I have being ADD is that my mind starts wandering if I play a piece too far below tempo, so I find it difficult to sightread for that reason (and a couple others, including the fact that when I first learned to play I couldn't see and essentially learned to play by ear and shape before I learned to read music well).
For some reason, I wasn't really feeling the nocturne today and stopped practicing early and went on to a waltz for a little while. This helped me to keep my focus and continue on for a total of 65 minutes (70 if you count earlier today... and since I have little kids, I count every second I spend at the piano, assuming I'm not just goofing off).
Then I worked on Prelude 21 by Bach. I'm having a bit of trouble keeping it even. It is a very quick piece and is really fun to play. I worked this one for about 10 minutes and moved on to the accompanying fugue, which I worked on for about 20 minutes.
For the last little bit of my practice time, I worked on Clair de Lune and tried to record it for you. I am not going to share it, however! For some reason, once the record button is pressed, I start making stupid mistakes that I never make while practicing.
One thing I have noticed, though, is I make fewer mistakes when I play a good piano. So the Kawai at church? That's well maintained and tuned semiannually? I sound really good and hardly make any mistakes.
My next mission is to find time about once a month to record at the church and share it here. I would aim for more often, but... well, it's just hard to find a couple hours that I can spend playing piano away from home without the kids.
Wednesday, January 7, 2009
Wednesday is my busy day
Today L had preschool, I had a church meeting, and I also had another appointment in the afternoon. Thankfully, I was able to get some practice time in while the chicken was defrosting in the microwave and again while the girls were in the bath (they're still there now-- they found mom's bubble bath and have been having a grand time). All in all, I got in 15 minutes of working on Clair de Lune, 30 minutes of Fugue 21, and I started playing the nocturne. But I had to quit because I'm about ready to put the kiddos in bed. Hopefully I can spend another 30 minutes tonight on the nocturne. I also have to get some yoga in there somewhere.
Tuesday, January 6, 2009
Back on track
Today I practiced 70 minutes. The first half hour, I worked on my Chopin nocturne, the second half I worked on Fugue 21 by Bach, and the last 10 minutes I worked on Clair de Lune. I'm working on memorizing Clair de Lune again, and I'm very close. I still get a little tripped up on the ending. Tomorrow I may not get as much time in-- it's looking like it may be a busy day tomorrow. Such is life.
Friday, January 2, 2009
Day 2
Another day, another successful practice session. I got half my practicing in during the late morning, the rest at night at 11. I was away from home during the afternoon and into the evening today. Dave had the girls and I was with one of my favorite people in the whole wide world, Diane B. She is so sweet and kind and humble. Plus my kids both love her. She used to babysit L. when she was a wee one, right up until I had R. In fact, I think L. was with her when I went into labor.
Anyway. Here are my challenges: I'm not very good at warming up and practicing scales, arpeggios, Hannon exercises, etc. I need to get better at that. It's just that, when I sit down to practice, I want to feel the music, and I don't really feel the music with those. It is uninspiring to me. So I've got to find a way to be inspired when I play. Sometimes I will run a few scales and arpeggios in the key of works I'm focusing on. But lately, that's it. My practice time is so precious that I don't want to spend it running scales. Then again, it will improve my technique, so I should do it anyway.
Oh, the trials of being ADD.
I also haven't figured out how to run through a song the first time all the way through if it is in any way challenging. I don't like playing really slow. I will slow a piece down if I'm micro-focusing on it, and I won't play it completely up to tempo when I'm just learning it, but I have a hard time really going through it slow enough to get all the notes and finish the piece without first losing concentration and starting to think about something else. Another trial of my ADD.
Today, I worked on the same pieces as yesterday. I have been working on the last line of page three of Chopin Nocturne 62/1 and will probably have it down in a day or two. I'll just keep working my way backward until I have the whole piece down, then I can start playing it through and I'll be so happy to feel the music of that song.
As far as the waltz goes, I'm "passing off" the trio. The way I "pass off" on something is to play it 10 times without a mistake (fingering, timing and notes all perfect). Then I can move on to the next section. Since I can't count very easily when I play piano, I use a trick I learned as a teenager that has improved my practicing skills immensely. What I did then was take two small bowls, and put them on either side of the piano desk. Inside one bowl would be 10 pieces of macaroni. As I played a section, I would transfer one noodle to the other bowl. Since I don't have bowls that are small enough to fit on my upright piano now as an adult, I've found that a saucer works very well. I put 10 beans in the center (or today, eight beans and two raisins) and as I play I can move the bean to the outer rim . I actually like this method better since I can very quickly move the beans over. It saves time over my previous method.
At the end of practicing today, I played Debussy's Clair de Lune, here performed by Van Clibun. I'm not back to performance level with this piece, but I sure enjoy myself when I play it. It is my favorite song of all time. It's one that I auditioned with way back when. Whenever I play it, I feel so rejuvenated and happy.
No recordings of me today. As for now, I need to get to bed. I've stayed up way too late once again, and I have to start getting up in time for 9 am church starting on Sunday! I got spoiled with church being at 1.
Anyway. Here are my challenges: I'm not very good at warming up and practicing scales, arpeggios, Hannon exercises, etc. I need to get better at that. It's just that, when I sit down to practice, I want to feel the music, and I don't really feel the music with those. It is uninspiring to me. So I've got to find a way to be inspired when I play. Sometimes I will run a few scales and arpeggios in the key of works I'm focusing on. But lately, that's it. My practice time is so precious that I don't want to spend it running scales. Then again, it will improve my technique, so I should do it anyway.
Oh, the trials of being ADD.
I also haven't figured out how to run through a song the first time all the way through if it is in any way challenging. I don't like playing really slow. I will slow a piece down if I'm micro-focusing on it, and I won't play it completely up to tempo when I'm just learning it, but I have a hard time really going through it slow enough to get all the notes and finish the piece without first losing concentration and starting to think about something else. Another trial of my ADD.
Today, I worked on the same pieces as yesterday. I have been working on the last line of page three of Chopin Nocturne 62/1 and will probably have it down in a day or two. I'll just keep working my way backward until I have the whole piece down, then I can start playing it through and I'll be so happy to feel the music of that song.
As far as the waltz goes, I'm "passing off" the trio. The way I "pass off" on something is to play it 10 times without a mistake (fingering, timing and notes all perfect). Then I can move on to the next section. Since I can't count very easily when I play piano, I use a trick I learned as a teenager that has improved my practicing skills immensely. What I did then was take two small bowls, and put them on either side of the piano desk. Inside one bowl would be 10 pieces of macaroni. As I played a section, I would transfer one noodle to the other bowl. Since I don't have bowls that are small enough to fit on my upright piano now as an adult, I've found that a saucer works very well. I put 10 beans in the center (or today, eight beans and two raisins) and as I play I can move the bean to the outer rim . I actually like this method better since I can very quickly move the beans over. It saves time over my previous method.
At the end of practicing today, I played Debussy's Clair de Lune, here performed by Van Clibun. I'm not back to performance level with this piece, but I sure enjoy myself when I play it. It is my favorite song of all time. It's one that I auditioned with way back when. Whenever I play it, I feel so rejuvenated and happy.
No recordings of me today. As for now, I need to get to bed. I've stayed up way too late once again, and I have to start getting up in time for 9 am church starting on Sunday! I got spoiled with church being at 1.
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